Cathi Belcher is an artist and a writer who lives in Midcoast Maine, where she works and lectures at Bowdoin College. She has been certified to teach the Weaving a Life program by her mentor, Susan Barrett Merrill, and works with private students as well as larger groups and classes. This is her second year teaching at the Fiber Arts Retreat, and she is thrilled to be part of the magic.

 Rachel Bingham Kessler is a plant dye educator, writer, sewist, and painter with a degree in Art Education. She runs 44Clovers, a small batch yarn company specializing in Maine primitive wool breeds and plant dyes. She’s taught fiber and plant dye workshops at venues such as Squam Art Workshops, Portfiber, and The Maine Fiber Frolic. Her work has been published in Taproot Magazine and Northern Journeys Magazine. She lives on Peaks Island off the coast of Portland, Maine with her husband, two small kiddos, and some free loading chickens. You can find her on Instagram and Etsy at 44clovers and at

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Eva Camacho is a feltmaker born and raised in Andalucía, Spain, now living in western Massachusetts, USA. Her last collection Boro can be found at the Textile Museum in Washington D.C., and other collections are being sold in 20 different galleries and stores across the United States. She has received the Award of Distinction in Fiber Wearables from the Society of Arts and Crafts and won 1st place in the Wearable Accessories category at the Fiber Celebration Exhibition at the Community Creative Center in Fort Collins, CO. That same year she was also invited to be part of the Pentaculum 2017 Artist Residency in Arrowmont School of Arts and Crafts. Her felt work has appeared in numerous magazines and newspapers, including Martha Stewart Living Magazine and the New York Times, and in the latest felting book Worldwide Colours of Felt.


Katherine Ferrier is a poet, dancer, maker, teacher, curator, and community organizer, and has been the Director of the Medomak Fiberarts Retreat since 2018. Her research grows out of a deep practice of paying poetic attention to the world, and lives in the intersecting communities of movers, makers, writers and activists. A self-taught quilter, she has improvisationally designed and constructed nearly 100 quilts, drawing on her years of study, both formal and independent, of movement, poetics, painting and architecture, among other forms. She regularly teaches and performs throughout the US and abroad, and believes in patchwork as a radical practice of being patient, saying yes, and making space for everyone at the table. Learn more here.


Bristol Ivy is a knitting designer, teacher, and author from Bangor, Maine. Her work has been published with PomPom Magazine, amirisu, Quince & Co., Making Magazine, and her own eponymous pattern line.  She has taught at such events as Squam Art Workshops, Edinburgh Yarn Festival, and Vogue Knitting Live, as well as yarn shops worldwide.  Her recent books, Knitting Outside the Box and Knitting Outside the Box: Drape and Fold, both with PomPom Press, explore her lifelong commitment to breaking rules and finding beauty in unexpected places.  When not knitting, she’s sewing, running, watching far too many British murder mysteries, and baking a mean loaf of oatmeal honey bread.  Find her online at and on Instagram and Twitter as @bristolivy.


Cal Patch has been making, designing and teaching all things textile-related in New York City since 1991. She sews, crochets, embroiders, spins, prints, knits, dyes, and more. She designed clothing for Urban Outfitters, Free People, Gap, and Old Navy before developing her own line of one-off pieces called “hodge podge”, which she currently sells at craft fairs and in her Etsy shop. After owning a boutique for four years which showcased her own and other local indie designers’ work, she opened one of the nation’s first craft schools in 2002. She contributes to books and magazines such as Stitch N’ Bitch: The Happy Hooker, Mend It Better, Applique Your Way, Made by Hand, Crochet Today and Sew Stylish. In 2009 Cal relocated to upstate New York where she is learning to be a crafty farmer. She offers classes in the Hudson Valley, and travels to teach at retreats and events like Squam Art Worshops, the Makerie, and Lucky Star Art Camp. Her first book, Design-It-Yourself Clothes: Patternmaking Simplified, was published by Potter Craft.


Casey Ryder is the owner of PortFiber, a fiber arts supply shop in Portland, Maine that serves as a hub for spinners, weavers, felters, knitters, dyers, and other makers. Casey regularly teaches wheel and drop spindle spinning, and rigid heddle weaving classes, and invites other fiber arts instructors from around Maine and New England to inspire her community, hosting workshops throughout the year at her shop.  In 2016, Casey became the US Distributor of Cashmere People Yarns, a women-run business of hand spinners in Tajikistan & Afghanistan. She has since traveled to Tajikistan to meet the women she represents.  This experience lives in her heart while she travels the US promoting their handspun cashmere and cashgora yarns. You can read about her travels in Tajikistan in the Trade issue of Taproot Magazine. In her spare time, Casey likes to knit, dance, drink coffee, read fantasy novels, and bike around town.

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Marceline Smith is a Jamaica-born, Canada-raised fiber fanatic living in the southeastern US. Her creative foundation is in knitting and crochet, expanding now into natural dyeing, spinning, and sewing. Her current focus is building community through design, teaching, and growing online interactions into real-life connections. Her creative business, HeyBrownBerry, is fueled by fresh air and good coffee.